Guide · Methods

Screen printing, embroidery, and promo — which job is which?

Most local orders are one of three things: ink on a shirt, thread on a garment, or a box of branded objects. Mixing them up is how people blow a deadline.

Lubbock work is rarely abstract. Someone needs 48 rec-league shirts, 12 shop polos, or 200 pens for a job fair. The method should follow the object, the quantity, and how the piece will be worn — not a slogan on a homepage.

Screen printing

A mesh screen is coated, exposed, and washed out so ink can pass only where the art lives. Each color is usually its own screen. That is why a one-color club shirt and a six-color illustration are different jobs even at the same quantity.

  • Best when you need the same design many times — often a few dozen pieces and up, though shops set their own minimums.
  • Ink sits on (or in) the fabric. Soft-hand and vintage feels are possible; so are dense, bright athletic prints.
  • Setup is the expensive part. If you might reprint in October, ask whether screens or files are kept, and for how long.
  • Fine gradients and tiny type are harder than bold shapes. Ask for a print-ready proof, not just a mockup on a white tee.

Embroidery

A digitized file tells a machine where to stitch. The “setup” is that file, plus hooping. Caps, polos, jackets, and bags are the usual canvas. A left-chest logo that looks crisp at one inch can fall apart if the type is too small.

  • Reads as more formal. Useful for staff shirts, coaches’ jackets, and anything that should survive a decade of wash-and-wear.
  • Thread has a limited number of practical colors in one design. Photorealistic art is the wrong brief.
  • Some shops embroider with no minimum and screen-print with a minimum. That split is normal; it is not a judgment on quality.
  • Ask who digitizes, whether you own the file, and what a stitch-out sample costs if the logo has never been run.

Promotional products

This is the catalog world: drinkware, totes, patches, lanyards, folders, and the odds and ends that show up at a booth. Some items can be printed or stitched in a Lubbock building. Many are decorated at a trade supplier and shipped in.

  • Lead times follow the supplier, not your calendar. A “simple” tumbler can take longer than a shirt.
  • Ask what is decorated locally. If the answer is vague, build in extra days.
  • Imprint size is smaller than people imagine. Bring a one-color version of the mark.
  • Event kits fail when the shirt is ready and the hats are not. Order the slowest item first.

A simple way to choose

If the piece is a cotton shirt and you need a stack of them, start with screen printing. If it is a polo, cap, or jacket with a small mark, start with embroidery. If it is not apparel, you are in promo — and you should ask where the decoration happens. When a project needs all three, treat them as three timelines that happen to share a logo.

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